Ex-Paramore Guitarist Josh Farro announces new band

Ex-Paramore Guitarist Josh Farro announces new band

FOR THE LIVERPOOL ECHO MUSIC BLOG

After one month of delving into my newest musical obsession, I read the shocking news that two of that Paramore‘s original band mates were calling it quits. For many people including myself, it was a disappointing blow to hear that the Tennessee rock outfit was moving on from their original artistic formula, but fortunately, their feisty attitude and revolutionary fervour is not entirely dissolving.

In an interview with MTV last Wednesday, ex-Paramore guitarist Josh Farro announced that he’s formed another group. His new band, Novel American, is a bit of a departure from the raucous vivacity of Paramore—leading more along the lines of the sounds of Jimmy Eat World, Radiohead and Sigur Ros with an emphasis on sprawling rock instrumentalisation.

Comprised of members Van Beasley, Tyler Ward and Ryan Clark, formerly of Nashville act Cecil Adora, Novel American is a determined movement away from Paramore and is shaping up to be a promising musical effort. Nothing has been announced by Zac, Josh’s brother, former Paramore drummer who also left in December 2010.

According to Paramore vocalist Hayley Williams, the reason for the split is a complex one. Many rumours erupted online insinuating that Williams had essentially taken over the band. In an interview earlier this month, Williams noted that her relationship with Farro had been an emotionally strained one. “It was really hard, because we were friends, and then going through a break-up and going through any kind of tension as a band really affected all the lyrics. There are a lot of specifics that I pulled from my experience with just feeling like my face was underneath a boot all the time,” she told OK Magazine.

For Farro, the lines of resentment went much further than that, with a detailed and angry blog post explaining how Williams changed the meaning of their music from nearly the very start of their career, and how Paramore evolved over seven years into something he no longer felt connected to. He wrote “[Zac and I] fought her about how her lyrics misrepresented our band and what we stood for, but in the end she got her way. Instead of fighting her any longer, we decided to just roll over and let it go.”

Farro is focusing all of his attention on Novel American now.

“I think we just disagree on a lot of things, and that’s OK,” he told MTV. “I just wish them the best in the future, and I really don’t want to make it this huge drama thing, because then it becomes this huge war, and I don’t want to dwell on that.”

Sonic unions and personal soundtracks: An analysis of popular music in Skins

Sonic unions and personal soundtracks: An analysis of popular music in Skins

A paper I’ve submitted for publication in The Soundtrack

To delineate the functions of music as a cinematic-acoustic tool is clearly a complex task. In this particular investigation, we must examine how the states of consciousness of teenagers unfold in accordance to personal and individual soundtracks, enveloping a critical area as wide in scope as human emotion itself. Rather than viewing the use of the popular soundtrack as either a way to sell singles or a certain “MTV aesthetic,” the British drama television series Skins pulls together various kinds of popular music to create very significant points of personal and social revelation in several different ways. Through the use of punk, trip hop and lo-fi montages, the pop soundscape functions to illustrate moments of confidence, sexual promiscuity and social nihilism, in accordance to several characters’ mental states and social circumstances during critical times. As this paper explores, the popular soundtrack evolves alongside the characters’ points of view, through dismebodiment, mental disturbance and a David Lynch-inspired diegetic strangeness.

Skins is a popular television series that explores the lives of college students in Bristol. The central characters range from various socio-economic backgrounds, but the series delves into topics such as drug use, sexual relationships, family hardships, infidelity, mental illness and even death. Narratively, each episode is based around the life situation of an individual character, or a relationship between two. In this way, each episode acts as a mise-en-scene for the season as a whole, and as all the relationships are intertwined, the finale weaves a narrative symphony for their social circle as a collective.

(more…)