REVIEW // RHODES

REVIEW // RHODES

FOR SEVEN STREETS MAGAZINE

Rhodes is a musical talent you may not have heard of until recently. The five-piece indie rock outfit played a stellar set at Mello Mello on Friday 30th September to finish off a week-long national tour, with ear-ringingly impressive results. They just released an EP with Liverpool’s original E.D.i.L.S. Records alongside the talents of Moonlit Sailor and Elk, and are now heading back into the shadows of songwriting.

Built on lifelong friendships, the group’s synergy onstage truly brings this sentiment alive. Newly reunited with their singer, Alan Croft, who spent the past year on the West Coast of British Columbia, the group rocked out together and delivered one of the most blisteringly loud gigs I’ve experienced. In fact, two days later, the ears are still ringing.

Drummer Michael Davies, despite his off-stage reserve, lets loose on his kit and brings to mind the mathematical side of his craft, with technical beats and jams. Bassist Jon Papavasiliou performs fluidly and dynamically on his chosen weapon, and with the half Greek connotation it’s hard to put Poseidon out of your mind when you’re watching him perform. Guitarists Aaron Noroozi and Michael Connor might have a bit of rivalry going on, staunchly placed on opposite sides of the stage, but the melding of their distorted, melodic sounds is an act of love.

Rhodes is a band that, despite their complex rhythms and math-rock tendencies, they manage to offset the brainy aspects of music writing by fleshing out natural sounds and rich harmonies. Caught somewhere between the brainy tendencies of Foals, and the catchiness of Two Door Cinema Club, their polished sound is bound to take these boys far.

PREVIEW // DISMEMBERED EMPIRE

PREVIEW // DISMEMBERED EMPIRE

FOR SEVEN STREETS

It’s unarguable that Liverpool is a stunning creative playground. Backed by a rich history of rebellion and revolution, it’s a hub of music and culture that continues to influence and inspire. Dismembered Empire, an insurrectionary multimedia cabaret, pushes this sentiment to the extremes of the steampunk style— by putting forth the tantilising question—what if Liverpool was the centre for world trade and economic power in the modern age?

The interactive mixed arts and technology project will take place in the mystifying locale of the Williamson Tunnels October 7-8th. Descending into the labyrinth of the tunnels, the audience will be immersed into an alternate version of Liverpool, inhabited by sinister scientists, revolution, bizarro machines and strange music.

Using the steampunk style, a super playful and expressive aesthetic, DE blurs the line bewteen reality and imagination, the nefarious and the benign. Using elements of both real and imagined history, the performance plays out as the ripping apart of two parallel worlds, driven by tensions between industrial mavericks Thomas Edison and Nikola Tesla during the Industrial Era.

It’s the brainchild of Jennifer Catterall, an evolutionary biologist with a penchant for theatre and music composition. “DE is all about re-imagining ourselves and thinking, how could we have done something different with our science and technology. It’s all about seeing things from a different point of view.”

[youtube=http://www.youtube.com/watch?v=pyzrT24nIrI&feature=related]

Dismembered Empire

7th – 8th of October, 7pm at the Williamson Tunnels

For more information, visit http://dismemberedempire.org.uk/

TO BE A JOURNALIST…

TO BE A JOURNALIST…

 

Being a journalist is probably the second best life I could have chosen for myself—a close second behind a sex goddess rock star in a successful indie band—but sometimes that’s just how it goes. I don’t often regret choosing this field, although in the last few months, the faith in my decision has riddled with self-doubt and frustration.

Journalism is the ultimate lifestyle choice for someone who is indecisive, easily bored, restless for adventure and genuinely interested in learning more about the world and the people that inhabit it. This has always been my thought process, my habit, my experience.

I’ve met some truly amazing and fascinating people in the last few years as a journalist. I’ve talked to musicians like Grahm Zilla and John Oswald about the importance of remix music and the bullshit of corporatizing culture. I’ve talked to Beach House about the joys of late night MacGyver reruns. I’ve talked to scientists who have figured out evolutionary fitness by studying yeasts. Did you know that if all the microscopic bacteria in the world died, the human race and all other life forms as we know it would be wiped out in a matter of days? Pff, yeah.

The joys of music journalism are truly far-reaching, especially when you’ve got a press pass and free rein to film, photograph and meet all your heroes. My memory often takes me to a moment shared with me by colleague of mine, Sarah Berman. She was at a show in Vancouver filming a concert for SPINearth when a girl in the audience shoved her violently, compromising her video capture. On the film you distinctly hear Sarah defend herself, and say “Fuck off, I’m with SPIN, bitch,” making the girl cower and leave the spot. Who wouldn’t work for free with these kinds of moments?

Emily Haines (from Metric) and I, Virgin Music Festival, 2009

I moved to the UK for a few reasons, the main one being a boy, and another that I wanted to establish myself as a multimedia journalist on the international scene. Over the last three months, I’ve applied to no less than 50 jobs with little more success than a promise of an interview at some tentative, future date. Journalism apparently, is one of the most exclusive middle-class professions, with everyone having to pay their dues as newsroom slaves, often working for free and having to kiss up to those at the top. While I’m more than happy to work pro bono for a publication that merits my talents, the latter portion of this right-of-passage, so to speak, doesn’t play favourably for me. My patience for arrogance has completely dwindled. I’m not up for it anymore.

It’s not easy to make it as a journalist. With newspapers and agencies cutting jobs and budgets, with the rise of citizen journalism, the advent of social media and not to mention, the dangers of international conflict reporting, trying to distinguish yourself is a war in and of itself.

That being said, I’m going to keep trying. This is a life I want. Once you’ve made up your mind to walk the earth and document everything you’ve seen, in script form, with poignant nut grafs pointing to some universal truths about the human experience, there’s no going back.

2010 in review

2010 in review

The stats helper monkeys at WordPress.com mulled over how this blog did in 2010, and here’s a high level summary of its overall blog health:

Healthy blog!

The Blog-Health-o-Meter™ reads Wow.

Crunchy numbers

Featured image

The average container ship can carry about 4,500 containers. This blog was viewed about 21,000 times in 2010. If each view were a shipping container, your blog would have filled about 5 fully loaded ships.

 

In 2010, there were 51 new posts, growing the total archive of this blog to 137 posts. There were 150 pictures uploaded, taking up a total of 59mb. That’s about 3 pictures per week.

The busiest day of the year was November 24th with 636 views. The most popular post that day was DJ Heroes vs. Stephen Harper.

Where did they come from?

The top referring sites in 2010 were facebook.com, twitter.com, google.com, en.wordpress.com, and search.aol.com.

Some visitors came searching, mostly for turducken, arctic monkeys, marla singer, aphex twin, and new ninja video.

Attractions in 2010

These are the posts and pages that got the most views in 2010.

1

DJ Heroes vs. Stephen Harper December 2009

2

The new Ninja Video… Re1ease July 2010
7 comments

3

five favourite femme fatales in film January 2009

4

Lucie Idlout’s ‘Swagger’ sounds like trailer park music January 2009

5

2009 Hell’s Kitchen!!!! October 2009
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