Montréal-based DJ and producer Poirier brought his dancehall beats and soca energy to Vancouver’s Biltmore Cabaret on May 1. Before the show, Amanda Ash and Mine Salkin got a chance to sit down with him to discuss his latest two-disc album, Running High.
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He’s #1 on my playlists these days.
Listen to the music of Anders Trentemoller, a Danish electronic musician who blurs the lines between chillout trip hop and dark, throbbing industrial production.
This is “Sycamore Feeling,” the single from his forthcoming third full-length, Into the Great Wide Yonder, which is set to be released in June by Audiomatique Records.
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THUNDERHEIST
For those who don’t already know, my Masters thesis, and also my first short documentary on remix music culture has gone live.
Check out Remixing Culture, and help me further the discussion on remix and mash up art!
Miike Snow
A Miike Snow concert is truly the best remedy for the tedium of a Monday night. Morphing into sexed-up animals, the crowd was delighted by the electro pop anthems and pounding bass soundscapes emanating from the Swedish trio.
Spanish indie rockers Delorean raised the bar for Miike Snow with their blistering performance. With singer/ bassist Ekhi Lopetegi looking like something of a mediterranean Jesus, the band’s sonic dreamscapes were faintly reminiscent of the eclecticism of Animal Collective.
Dominated by white beams of light and intense smoke clouds, the stage nicely complemented Miike’s Nordic, glacial aesthetic. After baiting the crowd with smoke and mirrors for some time, the band came out wearing creepy white masks, raising intrigue and anticipation. Kicking off the show with a five-minute psychedelic jam, they transitioned into “Cult Logic,” arguably the most infectious and anthematic track off their album. Satisfying the ravenous crowd, the trio played favourites like as “A Horse is Not A Home” and “Black and Blue,” remaining true to the album but sounding less processed and more spontaneous. Tearing off the white plastic mask, frontman Andrew Wyatt completely killed it during “Plastic Jungle,” a song about the brutal, military-likeness of postmodern life.
Stockholm-natives Wyatt, Christian Karlsson and Pontus Winnberg have garnered much deserved acclaim for their self-titled debut, which came out last year. Rich with layered, complex synth rhythms and salacious lyrics, the band’s sound is also surprisingly dreamy and introspective. Added last minute to the SXSW bill, this group is adding a much-needed cool, Scandinavian touch to the electronic music scene. With a sonic formula that combines beauty, strangeness and the sublime in perfect proportion, Bjork could learn a thing or two from these guys.
Oh, and for those who didn’t know, Karlsson and Winnberg have previously worked together as Bloodshy & Avant, a songwriting team that has created songs such as Britney Spears’ “Toxic” and have worked with the likes of Kylie Minogue, Kelis and Madonna.
After suffering a near coronary reading a story from Exclaim saying that my all-time favourite electro-duo Thunderheist was planning on a break-up, I was disheartened to say the least.
Grahm Zilla is one of the main focal points of my upcoming documentary Remixing Culture, which looks at how technology and the digital format has changed cultural consumption, production and relationship to music.
Singer Isis Salam posted information about her own solo projects, while DJ/ producer Zilla’s been a little more secretive. After a brief Facebook chat session, Grahm relieved much of my anxieties and assured me that he’s been making music like crazy, and will make an official announcement about the status of Thunderheist in a few days. For Zilla fans, like myself, it’s come as a bit of a surprise, but rest assured. There are bigger and better things on the horizon for these talented musicians.
Check out the video of the first interview I did with Thunderheist last year for SPINearth.
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