REVIEW // RHODES
Built on lifelong friendships, the group’s synergy onstage truly brings this sentiment alive. Newly reunited with their singer, Alan Croft, who spent the past year on the West Coast of British Columbia, the group rocked out together and delivered one of the most blisteringly loud gigs I’ve experienced. In fact, two days later, the ears are still ringing.
Drummer Michael Davies, despite his off-stage reserve, lets loose on his kit and brings to mind the mathematical side of his craft, with technical beats and jams. Bassist Jon Papavasiliou performs fluidly and dynamically on his chosen weapon, and with the half Greek connotation it’s hard to put Poseidon out of your mind when you’re watching him perform. Guitarists Aaron Noroozi and Michael Connor might have a bit of rivalry going on, staunchly placed on opposite sides of the stage, but the melding of their distorted, melodic sounds is an act of love.
Rhodes is a band that, despite their complex rhythms and math-rock tendencies, they manage to offset the brainy aspects of music writing by fleshing out natural sounds and rich harmonies. Caught somewhere between the brainy tendencies of Foals, and the catchiness of Two Door Cinema Club, their polished sound is bound to take these boys far.