FOR SEVEN STREETS MAGAZINE
Rhodes is a musical talent you may not have heard of until recently. The five-piece indie rock outfit played a stellar set at Mello Mello on Friday 30th September to finish off a week-long national tour, with ear-ringingly impressive results. They just released an EP with Liverpool’s original E.D.i.L.S. Records alongside the talents of Moonlit Sailor and Elk, and are now heading back into the shadows of songwriting.
Built on lifelong friendships, the group’s synergy onstage truly brings this sentiment alive. Newly reunited with their singer, Alan Croft, who spent the past year on the West Coast of British Columbia, the group rocked out together and delivered one of the most blisteringly loud gigs I’ve experienced. In fact, two days later, the ears are still ringing.
Drummer Michael Davies, despite his off-stage reserve, lets loose on his kit and brings to mind the mathematical side of his craft, with technical beats and jams. Bassist Jon Papavasiliou performs fluidly and dynamically on his chosen weapon, and with the half Greek connotation it’s hard to put Poseidon out of your mind when you’re watching him perform. Guitarists Aaron Noroozi and Michael Connor might have a bit of rivalry going on, staunchly placed on opposite sides of the stage, but the melding of their distorted, melodic sounds is an act of love.
Rhodes is a band that, despite their complex rhythms and math-rock tendencies, they manage to offset the brainy aspects of music writing by fleshing out natural sounds and rich harmonies. Caught somewhere between the brainy tendencies of Foals, and the catchiness of Two Door Cinema Club, their polished sound is bound to take these boys far.
FOR SEVEN STREETS
It’s unarguable that Liverpool is a stunning creative playground. Backed by a rich history of rebellion and revolution, it’s a hub of music and culture that continues to influence and inspire. Dismembered Empire, an insurrectionary multimedia cabaret, pushes this sentiment to the extremes of the steampunk style— by putting forth the tantilising question—what if Liverpool was the centre for world trade and economic power in the modern age?
The interactive mixed arts and technology project will take place in the mystifying locale of the Williamson Tunnels October 7-8th. Descending into the labyrinth of the tunnels, the audience will be immersed into an alternate version of Liverpool, inhabited by sinister scientists, revolution, bizarro machines and strange music.
Using the steampunk style, a super playful and expressive aesthetic, DE blurs the line bewteen reality and imagination, the nefarious and the benign. Using elements of both real and imagined history, the performance plays out as the ripping apart of two parallel worlds, driven by tensions between industrial mavericks Thomas Edison and Nikola Tesla during the Industrial Era.
It’s the brainchild of Jennifer Catterall, an evolutionary biologist with a penchant for theatre and music composition. “DE is all about re-imagining ourselves and thinking, how could we have done something different with our science and technology. It’s all about seeing things from a different point of view.”
7th – 8th of October, 7pm at the Williamson Tunnels
For more information, visit http://dismemberedempire.org.uk/